Donde dice bien clarito que la única diferencia es que hasta ahora estaban manejando dos versiones de AOSP, la pública para todos y la de desarrollo de Google, ahora lo centralizan en la de Google que harán pública en cada publicación (valga la redundancia):
"To balance AOSP’s open nature with its product development strategy, Google maintains two primary Android branches: the public AOSP branch and its internal development branch. The AOSP branch is accessible to anyone, while Google’s internal branch is restricted to companies with a Google Mobile Services (GMS) licensing agreement.
Because Google develops large portions of Android in its internal branch, the public AOSP branch often lags far behind what’s available privately. This difference is apparent when comparing feature and API availability between a clean AOSP build and Google’s latest Android 16 beta, which was built from its internal branch. While the shift to trunk-based development reduced this discrepancy, it persists and continues to pose challenges for Google.
This discrepancy forces Google to spend time and effort merging patches between the public AOSP branch and its internal branch."
#53 La sanidad pública no es un negocio, es un servicio público. Los impuestos que pagas sirven para mantener ese servicio por el que ningún inversor ni empresario debería recibir un beneficio económico
#19 ¿y cual es el limite? El vecino de al lado, el portal de al lado, el barrio de al lado, la ciudad de al lado, la comunidad de al lado, el país de al lado...
#3 no ha sido otro artista el que ha puesto allí la segunda obra: un fondo de inversión multimillonario encargó una campaña a una empresa de publicidad:
"Unlike Di Modica’s work, Fearless Girl was commissioned. Commissioned not by an individual, but by an investment fund called State Street Global Advisors, which has assets in excess of US$2.4 trillion. That’s serious money. It was commissioned as part of an advertising campaign developed by McCann, a global advertising corporation."
se aprovechan del tirón de la obra original, que el autor parece que pagó de su bolsillo, para una publicidad cutre; normal que se enfade